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Sea-Brothers offers the most extensive analysis to date of the sea and its meaning in American literature. On the basis of his study of Melville, Crane, London, Hemingway, Matthiessen, and ten lesser-known sea-writers, Bert Bender argues that the tradition of American sea fiction did not end with the opening of the western frontier and the replacement of sailing ships by steamers. Rather, he demonstrates its continuity and vitality, identifying a central vision within the tradition and showing how particular authors draw from, transform, and contribute to it. What is most distinctive about American sea fiction, Bender contends, is its visionary, often mystical, response to the biological world and to man's perceived place in the larger universe. When Melville envisioned the sea as the essential element of life, indeed as life itself, he changed the course of American sea fiction by introducing the relevance of biological thought. But his meditations on the whale and «the ungraspable phantom of life» project a different reality from that envisioned by his successors. In American sea fiction after Melville, the influence of Origin of Species is as powerful as that of Moby Dick or the theme of sailing ships being displaced by steam. The ideal of brotherhood so central to American sea fiction was severely compromised by the biological reality of a competitive, warring nature. Twentieth-century sea fiction has continued to center on the biological world and address the possibility of democratic brotherhood, but the issues were fundamentally changed by Darwin's theories. This book will be a valuable source for students and scholars of American literature and will interest readers of sea fiction.

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Edith Wharton (1862-1937) was an American novelist and short story writer. Her works show the lives of people of the late nineteenth century, the times of decline in American history. She was the first woman to receive the Pulitzer Prize for Literature in 1921. Wharton also was familiar with many famous people of the time, including President Theodore Roosevelt. This volume includes many wonderful short stories like "The Other Two", "Expiation", "The Lady's Maid's Bell", and the title story "The Descent of Man".

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Long-listed for the 2006 Re-Lit Award for Best Novel Grant McRae has a loving wife, a healthy son, and a new career with the local police department. Bert Commerford has a pretty good life too, as the proud owner of Commerford & Sons Auto Service. But Bert’s sons are polar opposites: Travis is a budding junior hockey star, and Russell is a thug loaded with resentment for Bert. When tragedy befalls the Commerfords, Bert finds himself too haunted by his murky past to stop his life from buckling. Russell leaves home and almost immediately finds disaster as his path intersects with Constable McRae’s. Told from alternating perspectives, The Next Rainy Day is a fast-moving exploration of loss and of finding hope in the wake of personal disaster.

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Can there be a greater folly than writing a book about love? But how can we avoid that most basic of all desires and commands? Yet we are very poor lovers, as our history demonstrates. If God is love, though, can we find help in considering the love of Jesus Christ, and the love of Jesus thought of in terms of what T. F. Torrance called «the vicarious humanity of Christ»? This would mean that we realize our inability and the Son of God's ability to love on our behalf and in our place. Such a love mirrors the love of the Son for the Father in the Spirit, a love that reflects his eternal triune love. Therefore, could we have new perspectives on our relationships, the love of ourselves, of God, and the neighbor? How essential is love to being human, and what kind of love? What does it mean to «love your enemies»? What is the relationship between justice and love? And what are the fruits of love, the evidence of genuine love? Christian D. Kettler explores these issues in the context of the living reality of the vicarious humanity of Christ.

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Love, corruption, violence and the dangerous politics of aid in the Sudan, by an exciting new writer.Emma McCune’s passion for Africa, her unstinting commitment to the children of the Sudan, and her striking glamour set her apart from other aid workers the moment she arrived in southern Sudan. But no one was prepared for her decision to marry a local warlord – a man who seemed to embody everything she was working against – and throw herself into his violent quest to take over southern Sudan’s rebel movement.At once a disturbing love story and a penetrating examination of the Sudan, “Emma’s War” charts the process by which Emma’s romantic delusions led to her descent into the hell of Africa’s longest running civil war.

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Who do we love? Who loves us? And why? Is love really a mystery, or can neuroscience offer some answers to these age-old questions? In her third enthralling book about the brain, Judith Horstman takes us on a lively tour of our most important sex and love organ and the whole smorgasbord of our many kinds of love-from the bonding of parent and child to the passion of erotic love, the affectionate love of companionship, the role of animals in our lives, and the love of God. Drawing on the latest neuroscience, she explores why and how we are born to love-how we're hardwired to crave the companionship of others, and how very badly things can go without love. Among the findings: parental love makes our brain bigger, sex and orgasm make it healthier, social isolation makes it miserable-and although the craving for romantic love can be described as an addiction, friendship may actually be the most important loving relationship of your life. Based on recent studies and articles culled from the prestigious Scientific American and Scientific American Mind magazines, The Scientific American Book of Love, Sex, and the Brain offers a fascinating look at how the brain controls our loving relationships, most intimate moments, and our deep and basic need for connection.

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The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism.

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Lovers' Almanac is a collection of poems that explores the varieties of love that human beings experience. Anchoring the volume is a 12-poem sonnet sequence featuring an intimate dialogue between a man and woman, each poem keyed to one of the months of the year. The book offers a range of poems engaging divine love, agapeic love, familial love, fraternal love, parental love, and homage, the love we bear towards artists, saints, and heroes. As the title implies, Lovers' Almanac also explores the concept of time and the ways in which love is grounded in the succession of seasons–both the seasons of the year and the seasons of life. These incarnational poems devote attention to embodied, incarnate love, evident in all times and places, and celebrate the power of love to open us up, save us from the prison house of self, and redeem us from the suffering human beings are heir to. Love accompanies us throughout the course of human life, from birth to death, defying loss, loneliness, aging, and our inevitable mortality. The premise of the book might be summed up by one of its epigraphs, echoing St. Paul: «Love never fails.»

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